Eye Yam Sleepy Lemon Rivers!

Some might say that I am just a mean Old Prique, but I likes my feet wet.

Whoa yeah, oh yeah
Everythin' gonna be alright this mornin'
Oh yeah

Now when I was a young boy, at the age of 5
My mother said I was gonna be the greatest man alive
But now I'm a man, I passed 21
I want you to believe me honey I had lots of fun

I'm a man
Spell M-A child -N
That represents man
No B-O child -Y
That mean mannish boy ...............


Read more: MUDDY WATERS - MANNISH BOY LYRICS






According to this wonderful Blues Calculator, I am become the The Blues Artist -Sleepy Lemon Rivers AKA Clyde Wood, my Porn Star Name: Patrick Francis Hickey

The rest we know . . . .


I'm a man
I'm a full grown man
I'm a man
I'm a natural born lovers man
I'm a man child
I'm a rollin' stone
I'm a man child
I'm a hoochie coochie man

Sittin' on the outside, just me and my mate
You know I'm made to move you honey
Come up 2 hours late
[ From: http://www.metrolyrics.com/mannish-boy-lyrics-muddy-waters.html ]
Was that a man?

I spell M-A- child -N
That represents man
No B-O- child -Y
That mean mannish boy

A man
I'm a full grown man
I'm a man
I'm a natural born lovers man
I'm a man
I'm a rollin' stone
I'm a man child
I'm a hoochie coochie man

I'm a natural born lovers man
I'm a rollin' stone
I'm a natural born lover
I'm a hoochie coochie man
Well, well

Oh yeah, hey
I'm a natural born lovers man
Well
I'm a natural born lover


Read more: MUDDY WATERS - MANNISH BOY LYRICS

Otis Spann and Jimmy Witherspoon - T'aint Bobody's Business If I (We) Do!

Here is a great tune that gets riffed by many artists on many themes.

The title is often translated into south side Chicago Irish spoonerism. as the declarative"I Don't Shive a Git, " or the interrogative " Who Shives a Git?"

It is a black blues song and belongs in the fingers and voices of African Americans.


A Singular treatment by Otis Spann



Pluraled up by Jimmy Witherspoon.



"Ain't Nobody's Business" or "'Tain't Nobody's Biz-ness if I Do" is an eight-bar vaudeville blues song that became an early blues standard. It was written in the 1920s by pianist Porter Grainger, who had been Bessie Smith's accompanist, and Everett Robbins. The song was first recorded October 19, 1922 by Anna Meyer with the Original Memphis Five. Other early versions include Sara Martin (with Fats Waller on piano) (December 1, 1922 OKeh 8043), Alberta Hunter (February 1923 Paramount 12016), and Bessie Smith (April 26, 1923 Columbia 3898). Porter Grainger's lyrics to the song were copyrighted in 1922, thus they are now in the public domain.