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Showing posts sorted by date for query trump. Sort by relevance Show all posts

Friday, March 01, 2019

Cardinal Cupich Enables Illinois Infanticide with His Loud Silence



Cardinal Cupich has an opinion on what Trump eats for breakfast.  His first chat with the supine press in Chicago enabled the surprise Archbishop of Chicago to take a swipe at the dying Cardinal George's continued rooming in the Archdiocesan Mansion on State Parkway.

So far

  • Cardinal Cupich has embraced Pflegerism and marched with Blond Jesus
  • Refused to Venture down Rabbit Holes
  • Chastised Trump
  • Comforted Laquan McDonald's family a year after his death
  • Condemned Global Warming
  • Condemned Gun Violence , but Only With National Reportage
  • Praised Sister Jean
  • Praised Illegal Immigration
  • Condemned opponents of illegal immigration
  • Said no Bad Thing about Any Gender
  • Spoke out of both sides of mouth on Sexual Predator Priests
  • Praised and honored America's # 1 Predator Cardinal Theodore McCarrick ( Cupich's Chinaman)
  • Falsely Accused a devout pastor of being in three homosexual relationships, removed the traditional pastor from his faculties as a priest, ordered a tribunal to investigate and refused to apologize when the tribunal acquit ed the priest
What Blase Cardinal has never done is condemned Illinois's March to Infanticide, much less Illinois's twin US Senators for pushing Infanticide on the national level.  Durbin created Duckworth from one his many fibs . . .not ribs. Together they stand for Infanticide and no Illinois Cardinal has objected.  That is you, Blase the Closer.  You does your silence in this horror betoken your episcopal consent?
Will he speak out?  

Cupich will not.  Blase Cupich is a political reptile of a prelate. He thinks more of what Chuck Goudie and Carol Marin say about him than what the 2.3 million Chicago Catholics wait from a Catholic prelate. 

Cardinal Blase meets the press.   The press don't care about eternal truths, or doctrines.  The press wants compelling narratives that fit nicely with funding and sales. Fred Eychaner, the Gay Marriage architect and bankroller, controls a huge slice of the media. The Media plays nice with Fred and the current Archbishop of Chicago plays nice with both. 

Will Cardinal Cupich chastise so-called Catholics who back Illinois House Bills that run counter to Catholic teaching? Especiall, the ones promoting Infanticide

Will Cardinal Cupich behave like a priest and not a politician?

Nah. 

The Innocent set for slaughter and Chicago Catholics are on their own.

Blase Cardinal Cupich has the Chicago Media. 


We have the sainted Francis Cardinal George at home with Christ - pray to both for help. 



Thursday, November 22, 2018

A Bunch of Things You Might Or Might Not Have Known About Fred Chopin and George Sand, BUT Got Compiled Anyway So You How Smart I am

Related image




I hate lists.


I really hate lists.
Commies compile lists - for future exile or execution.


Image result for Communists make lists
People who admire Commies imitate them and make them mainstreamImage result for Communists make lists


Americans are too tolerant of Commies and the people who admire the Reds - they'll be sorry some day. Me? I'll be dead and long judged by God. God don't make lists.  He takes you individually.
The only guy who should make lists is Santa.




One Christmas I received the Book of Lists from three different people, who thought like millions of others that I would want to know about
  • Famous Freemasons with flatulence 
  • Whigs murdered on Christmas Day 1853
  • Cumquat eaters of Connecticut
  • Democrats who sneezed
  • Popes who break-danced for Lorenzo Magnifico
  • VD Victims of Cole Porter
  • Hemingway's Beat-Downs by Better Writers
Image result for Communists make lists for extermination

Likewise, I detest TOP TEN ( or any number)  Lists of anything.


Psychologists used to warn us about people who never recovered from potty-training - the anal retentive like the passive aggressive rules our world.


I go to restaurants and if the food is good and prices, as well as the service is good, I return for another meal.   Then, if asked by anyone, 'have a good meal anywhere?' I might mention the place.


People no longer tend to communicate with other people. They refer to pre-caste lists, or worse, go to an APP.


Why is it import to compile things like
  • 866 things we know about Donald Trump's inner ear infections
  • 5 Things We Do Not Know, But Will Guess about Race Relations in Cairo, IL
  • 7 Explanations for Michael
  • 9 Steps to Good Grooming That Do Not Involve Soap, Water and Alcohol
Santa is the only one who should continue to compile lists of any type.


Oh, by the way - Chopin dated George Sand for nine years and then died.


Here is a Lis. . . .catalog of Chopin's greatest works. That cat could tickle them 88s! Compiled by the good people of Wikipedia - I have no time for such nonsense . . .far too busy,


  • Op. 10, 12 Études:
  1. Étude in C major, Waterfall (1830)
  2. Étude in A minor, Chromatic (1830)
  3. Étude in E major, Tristesse, or L'adieu (1832)
  4. Étude in C minor, Torrent (1832)
  5. Étude in G major, Black Keys (1830)
  6. Étude in E minor, Lament (1830)
  7. Étude in C major, Toccata (1832)
  8. Étude in F major, Sunshine (1829)
  9. Étude in F minor (1829)
  10. Étude in A major (1829)
  11. Étude in E major, Arpeggio (1829)
  12. Étude in C minor, Revolutionary (1831)
  • Op. 25, 12 Études:
  1. Étude in A major, Aeolian Harp, or Shepherd Boy (1836)
  2. Étude in F minor, The Bees (1836)
  3. Étude in F major, The Horseman (1836)
  4. Étude in A minor (1832–1834)
  5. Étude in E minor, Wrong Note (1832–1834)
  6. Étude in G minor, Thirds (1832–1834)
  7. Étude in C minor, Cello (1836)
  8. Étude in D major, Sixths (1832–1834)
  9. Étude in G major, Butterfly (1832–1834)
  10. Étude in B minor, Octave (1832–1834)
  11. Étude in A minor, Winter Wind (1834)
  12. Étude in C minor, Ocean (1836)
  1. Étude in F minor
  2. Étude in A major
  3. Étude in D major

Impromptus[edit]

Mazurkas[edit]

  1. Mazurka in F minor
  2. Mazurka in C minor
  3. Mazurka in E major
  4. Mazurka in E minor
  1. Mazurka in B major
  2. Mazurka in A minor (1829, revised 1830)
  3. Mazurka in F minor
  4. Mazurka in A major (1824, revised 1830)
  5. Mazurka in C major
  1. Mazurka in B major
  2. Mazurka in E minor
  3. Mazurka in A major
  4. Mazurka in A minor
  1. Mazurka in G minor
  2. Mazurka in C major
  3. Mazurka in A major
  4. Mazurka in B minor
  1. Mazurka in C minor
  2. Mazurka in B minor
  3. Mazurka in D major
  4. Mazurka in C minor
  1. Mazurka in G minor
  2. Mazurka in D major
  3. Mazurka in C major
  4. Mazurka in B minor
  1. Mazurka in C minor
  2. Mazurka in E minor
  3. Mazurka in B major
  4. Mazurka in A major
  • Mazurka in A minor (No. 50; "Notre Temps"; 1840; pub. 1841 in Six morceaux de salon, without Op. number; B. 134; KK IIb/4; S 2/4)
  • Mazurka in A minor (No. 51; "Émile Gaillard"; 1840; pub. 1841 in Album de pianistes polonais, without Op. number; B. 140; KK IIb/5; S 2/5)
  1. Mazurka in G major
  2. Mazurka in A major
  3. Mazurka in C minor
  1. Mazurka in B major
  2. Mazurka in C major
  3. Mazurka in C minor
  1. Mazurka in A minor
  2. Mazurka in A major
  3. Mazurka in F minor
  1. Mazurka in B major
  2. Mazurka in F minor
  3. Mazurka in C minor

Published in Poland during early years[edit]

  • Two Mazurkas (unnumbered; 1826; pub. 1826, without an Op. number; B. 16, KK IIa/2-3, S 1, No. 2):
    • a. Mazurka in G major
    • b. Mazurka in B major
With opus numbers[edit]
  • Op. posth. 67, Four Mazurkas (Nos. 42-45; pub. 1855):
  1. Mazurka in G major (1833)
  2. Mazurka in G minor (1849)
  3. Mazurka in C major (1835)
  4. Mazurka in A minor (1846)
  • Op. posth. 68, Four Mazurkas (Nos. 46-49; pub. 1855):
  1. Mazurka in C major (1829)
  2. Mazurka in A minor (1827)
  3. Mazurka in F major (1829)
  4. Mazurka in F minor (1849; Last composition)
Without opus numbers[edit]
  • Mazurka in C major (1833; pub. 1870; B. 82; KK IVB/3; P 2/3)
  • Mazurka in D major (1829; pub. 1875; B 31/71; KK IVa/7; P 1/7)
  • Mazurka in B major (1832; pub. 1909; B. 73; KK IVb/1; P 2/1)
  • Mazurka in D major "Mazurek" (doubtful, 1820?; pub. 1910; B. 4; KK Anh Ia/1; A 1/1)
  • Mazurka in A major (1834; pub. 1930; B. 85; KK IVb/4; P 2/4)
  • Mazurka in D major (1832; pub. ?; P 2/2)

Nocturnes[edit]

  1. Nocturne in B minor
  2. Nocturne in E major
  3. Nocturne in B major
  1. Nocturne in F major
  2. Nocturne in F major
  3. Nocturne in G minor
  1. Nocturne in C minor
  2. Nocturne in D major
  1. Nocturne in B major
  2. Nocturne in A major
  1. Nocturne in G minor
  2. Nocturne in G major
  1. Nocturne in C minor
  2. Nocturne in F minor
  1. Nocturne in F minor
  2. Nocturne in E major
  1. Nocturne in B major
  2. Nocturne in E major

Posthumously published[edit]

With opus number[edit]
  • Op. posth. 72 (No.2 and No.3 are works other than Nocturnes):
  1. Nocturne in E minor (1827–29)
Without opus numbers[edit]

Polonaises[edit]

  1. Polonaise in C minor
  2. Polonaise in E minor
  1. Polonaise in A major, Military
  2. Polonaise in C minor, Funeral

Published in Poland during early years[edit]

Posthumously published[edit]

With opus numbers[edit]
  1. Polonaise in D minor (1825)
  2. Polonaise in B major (1828)
  3. Polonaise in F minor (1828)
Without opus numbers[edit]
  1. Polonaise in B major (1817)
  2. Polonaise in A major (1821)
  3. Polonaise in G minor (1822)
  4. Polonaise in B minor, Adieu à Guillaume Kolberg (1826)
  5. Polonaise in G major (1829)

Preludes[edit]

  • Op. 28, 24 Preludes:
  1. Prelude in C major (composed 1839)
  2. Prelude in A minor (1838)
  3. Prelude in G major (1838–1839)
  4. Prelude in E minor (1838)
  5. Prelude in D major (1838–1839)
  6. Prelude in B minor (1838–1839)
  7. Prelude in A major (1836)
  8. Prelude in F minor (1838–1839)
  9. Prelude in E major (1838–1839)
  10. Prelude in C minor (1838–1839)
  11. Prelude in B major (1838–1839)
  12. Prelude in G minor (1838–1839)
  13. Prelude in F major (1838–1839)
  14. Prelude in E minor (1838–1839)
  15. Prelude in D major, Raindrop (1838–1839)
  16. Prelude in B minor (1838–1839)
  17. Prelude in A major (1836)
  18. Prelude in F minor (1838–1839)
  19. Prelude in E major (1838–1839)
  20. Prelude in C minor, Chord or Funeral March (1838–1839)
  21. Prelude in B major (1838–1839)
  22. Prelude in G minor (1838–1839)
  23. Prelude in F major (1838–1839)
  24. Prelude in D minor (1838–1839)
  • Op. 45: Prelude in C minor (1841)

Posthumously published[edit]

  • P. 2/7: Prelude in A major (1834, published 1918; ded. Pierre Wolff)
  • A. 1/2: Prelude in F major
  • Prelude in E minor, Devil's Trill (recently found)

Rondos[edit]

Posthumously published[edit]

  • Op. posth. 73: Rondo in C major for two pianos (1828; arr. piano solo 1840)

Scherzos[edit]

Sonatas[edit]

Variations[edit]

  • Op. 12: Variations brillantes in B major on "Je vends des scapulaires" from Hérold's Ludovic (1833)
  • B. 113: Variation in E for Hexameron (1837; pub. 1839)

Posthumously published[edit]

  • B.9: Variations in E for flute and piano on "Non più mesta" from Rossini's La Cenerentola, KK. Anh. Ia/5, (? 1824; pub. 1955) [1]
  • KK. IVa/6: Introduction, Theme and Variations in D on a Venetian air, piano 4-hands (1826; pub 1965)
  • B. 12a: Variations in D major or B minor on an Irish National Air (from Thomas Moore) for 2 pianos, P. 1/6 (1826)
  • B. 14: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub", a.k.a. Introduction et Variations sur un Lied allemand (1826; pub. 1851)
  • B. 37: Variations in A, Souvenir de Paganini (1829; pub. 1881)

Lost[edit]

  • KK. Ve/9: Variations, (January 1818)
  • KK. Vb/2: Variations in F, piano 4-hands or 2 pianos (1826)
  • KK. VIIa/3: Variations on a Ukrainian Dumka for violin and piano, by Antoni Radziwill, completed by Chopin (by June 1830)

Waltzes[edit]

  1. Waltz in A major (1835)
  2. Waltz in A minor (1831)
  3. Waltz in F major (1838)
  1. Waltz in D major, Minute Waltz (1847)
  2. Waltz in C minor (1847)
  3. Waltz in A major (1840, some sources say 1847)

Posthumously published[edit]

With opus numbers[edit]
  • 1852: Two Waltzes, Op. posth. 69:
  1. Waltz in A major, L'Adieu (1835)
  2. Waltz in B minor (1829)
  • 1855: Three Waltzes, Op. posth. 70:
  1. Waltz in G major (1832)
  2. Waltz in F minor (1841)
  3. Waltz in D major (1829)
Without opus numbers[edit]
  • 1868: Waltz in E minor (1830), B. 56, KK IVa/15, P. 1/15
  • 1871–72: Waltz in E major, B. 44, KK IVa/12, P. 1/12
  • 1902: Waltz in A major, B. 21, KK IVa/13, P. 1/13
  • 1902: Waltz in E major, B. 46, KK IVa/14, P. 1/14
  • 1955: Waltz in A minor (1843–1848), B. 150, KK IVb/11, P. 2/11
  • 1955: Waltz in E major (Sostenuto), B. 133, KK IVb/10 (not always classified as a waltz)
  • 1932: Waltz in F minor, Valse mélancolique, KK Ib/7, A. 1/7. Reattributed to Charles Mayer as Le Régret op. 332[2]

Miscellaneous pieces for solo piano[edit]

Posthumously published[edit]

With opus numbers[edit]
  • Op. posth. 72:
  1. Nocturne in E minor (1827)
  2. Marche funèbre in C minor (1827; B.20)
  3. Three Écossaises (1826; B.12)
    1. Écossaise in D major
    2. Écossaise in G major
    3. Écossaise in D major
Without opus numbers[edit]
  • B. 17: Contredanse in G major (doubtful) (1827)
  • B. 84: Cantabile in B major (1834)
  • B. 109: Largo in E major (1837)
  • B. 117: Andantino in G minor (arr. of the piano part of the song Wiosna; 5 different MS exist) (1837)
  • B. 129a: Canon in F minor (unfinished (1839))
  • B. 133: Klavierstück in E "Sostenuto" (1840; sometimes classified as a waltz)
  • B. 144: Fugue in A minor (1841)
  • B. 151: Album Leaf (Moderato) in E major (1843)
  • B. 160b: 2 Bourrées (1846)
  • P. 2/13: Galopp in A (Galop Marquis) (1846)
  • KK. Vb/1: Andante dolente in B minor (lost)
  • KK. Ve/3: Écossaise (? date; lost)
  • KK. Vb/9: Écossaise in B major (1827; lost)
  • KK. VIIa/2: 3 Fugues (A minor, F major, D minor; arr. from Cherubini's Cours de contrepoint et de fugue)

Piano and orchestra[edit]

Concertos[edit]

Miscellaneous[edit]

Cello and piano[edit]

Violin, cello and piano[edit]

Voice and piano[edit]

Posthumously published[edit]

With opus numbers[edit]

  • Op. posth. 74, 17 Songs (1829–1847; Polish)
  1. "The Wish" ("Życzenie") (1829)
  2. "Spring" ("Wiosna") (1838)
  3. "The Sad River" ("Smutna Rzeka") (1831)
  4. "Merrymaking" ("Hulanka") (1830)
  5. "What She Likes" ("Gdzie lubi") (1829)
  6. "Out of My Sight" ("Precz z moich oczu") (1830)
  7. "The Messenger" ("Poseł") (1830)
  8. "Handsome Lad" ("Śliczny chłopiec") (1841)
  9. "From the Mountains, Where They Carried Heavy Crosses [Melody]" ("Z gór, gdzie dźwigali strasznych krzyżów brzemię [Melodia]") (1847)
  10. "The Warrior" ("Wojak") (1830)
  11. "The Double-End" ("Dwojaki koniec") (1845)
  12. "My Darling" ("Moja pieszczotka") (1837)
  13. "I Want What I Have Not" ("Nie ma czego trzeba") (1845)
  14. "The Ring" ("Pierścień") (1836)
  15. "The Bridegroom" ("Narzeczony") (1831)
  16. "Lithuanian Song" ("Piosnka litewska") (1831)
  17. "Leaves are Falling, Hymn from the Tomb" ("Śpiew z mogiłki") (1836)

Without opus numbers[edit]

  • "Enchantment" ("Czary") (1830)
  • "Reverie" ("Dumka") (1840)

Lost works[edit]

  • Polonaise for piano, composed 1818. Presented by Chopin to the Empress Maria Teodorowna, mother of the Tsar, on the occasion of her visit to Warsaw on 26 September 1818.
  • Variations for piano, composed 1818. Mentioned in the "Pamietnik Warzawski" of 1818
  • Polonaise 'Barber of Seville' for piano, composed 1825/11. In 1825/11 Chopin wrote to Bialoblocki: "I have done a new Polonaise on the "Barber" which is fairly well liked. I think of sending it to be lithographed tomorrow."
  • Variations for 2 pianos in F major, composed 1826. Listed by Louise Chopin
  • Variations on an Irish National Air (from Thomas Moore) for 2 pianos, composed 1826. Stated to be "in D Major or B minor."
  • Waltz for piano in C major, composed 1826.
  • Andante dolente for piano in B minor, composed 1827. Mentioned in the list of Louise Chopin
  • Ecossaise for piano in B major, composed 1827. Mentioned in the list of Louise Chopin.
  • Waltz for piano in D minor, composed 1828. Given in Louise's list, with the date, and entitled (? by Louise) 'La partenza' ('The departure')
  • Waltz for piano (supposedly) in A major, composed 1830/12 (?).











Friday, October 26, 2018

The Decline and Fall of the American Republic - Actors and Political Power








The first actor activist to appear in a starring role in American history was John Wilkes Booth.  He was the Resistance after Little Mac lost 1864 election to the Donald Trump of 19th Century divided America.  The man was an activist and shot Lincoln, stabbed Major Henry Rathbone when he attempted to stop the assassination, leaped to the stage of the Ford Theatre and shouted " Sic Semper Tyrannis!"  Michael Moore could not have staged it better.


Actors were considered social pariahs generally in the mid-19th Century: drunks, sexual predators, lay-abouts and spongers.  With exceptions of the few matinee idols, like Edwin and his brother Jogn Wilkes Booth.  Actors were treated much like Mark Twain's rascals the King and the Duke in Huckleberry Finn ridden out of town on a rail after a judicious tar and feathering.


John Wilkes Booth adapted the Byronic attitude toward the southern states succession as an act of heroic Republicanism and labeled Lincoln as an ape man intent on destroying the white race. John Wilkes Booth was not alone in his contempt for Abraham Lincoln.


Lincoln got the Trump treatment from both sides of the Mason Dixon line and from Boys in Blue as well as Rebs in butternut grey. The Irish Democrats voted against Lincoln, because they wanted a swift end to the draft and hated the Emancipation Proclamation which put them in hard competition with American blacks.


The majority of the northern Irish-American community were loyal Democrats, supporting the party that had accepted them in the face of widespread discrimination during the 1850s. Short shrift was given to any former community leader, such as Thomas Francis Meagher, who advocated Lincoln’s re-election. Issues such as emancipation and the enforcement of the draft remained emotive for many in November of 1864, particularly in New York. Election day finally arrived on 8th November, with Abraham Lincoln sweeping to a second term in office. The majority of Irish-Americans in the north had voted for what proved to be the losing side, a fact not easily forgotten by many of their fellow citizens in the years that followed Lincoln’s assassination and the successful conclusion of the war.


All that subsequent Rum Romanism and Rebellion that still tweaks Democrats of Irish origin stayed with Paddy and Bridey for generations.  George M. Cohan notwithstanding.



The first Hollywood star to become a political power in American government was dancer/actor George Murphy and Irish American - who ran as a Republican.  Murphy became a United States Congressman and was fierce anti-Communist from California.  Another actor followed his lead into the Party of Lincoln, Ronald "Dutch" Reagan.  Jimmy Cagney and other left leaning Democrats crowded around FDR and Harry Truman.


Hollywood loved mixing it up with political power.  Frank Sinatra reached out to Sam "Mo-Mo" Giancanna for help in getting Jack Kennedy in the White House.


Our Republic, like the Roman Republic of Shakespeare's cycle-dramas which the Booth Brothers starred throughout the late 1850's to the Civil War, was a proud tradition of manly individualists, until it was beset by a string of patrician demogogues ( The Gracchi, Marius, Sulla, Cataline and Caesar) all intent on one man rule to maintain the oligarchy. They succeeded - the jury is still out on the American - and the Empire took over with actors playing their parts.
Performers were among the infamis, and couldn’t call themselves citizens of Rome or get any of the associated benefits, like the limited form of political representation others enjoyed. This meant that most comedians who acted were former slaves or people who didn’t have any citizenship to lose.

For the rare comedian who worked their way out of acting into writing, there was no promise of keeping that higher social status. In 46 B.C.E., Julius Caesar demanded that one of the great mime writers of the time, Decimus Laberius, perform in a sort of stand-up battle of mimes. Laberius would face off against a Syrian ex-slave called Pubilius. Laberius wasn’t overly eager to forfeit his rank, but how could he say no to Caesar? So Laberius appeared, dressed in the outfit of a Syrian slave to mock his competitor, and said “Citizens, we are losing our freedom,” as well as, “He who many fear must fear many.” While Laberius lost the competition, he was actually rewarded by Caesar so that he could buy back his citizenship.


Early 21st Century Americans have witnessed the power of celebrity and rise of the actor, clown, mime and player as political arbitrator and moral censor.  B-List thespians like Martin Sheen lectured the nation on the dangers of the Elector College after the 2016 Presidential Election hurt the feelings of Hollywood. President Obama gave the Presidential Medal of Freedom to friendly Hollywood Stars : Sidney Poitier, Robert DiNero, Robert Redford, Meryl Streep, Ciciley Tyson, Tom Hanks and Director Steven Spielberg. Roman Emperors made Senators of actors when the real rot took hold.


Today,  Mega-stars threaten Americans who support Trump even tepidly in the wake of  The Caravan, Kavanaugh and Comic Opera bomb deliveries of the 'taint' of Trump.




Rome went its way, because everyone sold out.  Actors helped make that purchase.




 

Tuesday, September 04, 2018

12 Hopefuls - One Mayor;Uglier Than Homemade Soup This election







Rahm Emanuel realized that the Jason Van Dyke Trial, assorted Expressway shut-downs, more revelations about the McDonald  Shooting Video shell game coming to light in the next two weeks and the cold fact of the matter that voting Chicagoans can't stand the sight of him, brought him to the conclusion that the Chicago News Media and Bahzillions of dollars are not enough to see him returned to the 5th Floor for a third term.


Rahm is out.


Twelve people want to be mayor.


Less than a handful of them are qualified, but that matters not in Chicago. 


The only thing that matters in Chicago, Cook County of Illinois is the question, " How long can the string-pullers and money pavers endure some Yutz in any office?"


The answer to that question bespeaks the long tenures of


Toni Preckwinkle


Dick Durbin


Pat Quinn


Bruce Rauner
Lisa Madigan


David Orr


Mike Quigley


Jan Schakowsky


Danny Davis


Bobby Rush


Dorothy Brown


These marginal people of marginal talents are the current pantheon of political lions.  I would not ask most of them to cut my lawn and my lawn is disgraceful.


Now, Chicago sits on the cusp of another opportunity to wade through media muck and take seat on that celestial shoreline with a qualified human being in charge of an important political office.


  • Paul Vallas  is a man of great talent and nice sensibilities who spent the last thirty years fixing other peoples problems in Pennsylvania, new jersey and Louisiana.


  • Garry McCarthy was Rahm Emanuel's 'out of town talent for police matters until he wasn't.  Is he a good cop?  Some cops say he was good boss.  Others, just a political hack.  I see that he a genuine talent for remaining relevant and is a smart and cagey interviewer.
  • Lori Lightfoot is . . . a darling of the media and should expect and demand their vassalage.
  • Dorothy Brown is a whisper from an indictment.
  • Willie Wilson is a self-made millionaire with the oratorical and rhetorical kills of Slip Mahoney.
The latest entry into the lists is Jeremiah Joyce, Jr.  I know Jerry and admire him. Mr. Joyce is smart without being a grafter; thoughtful without being a pest and caring without being Phil Ponce. Joyce should be mayor and would do a damn fine job as mayor.  However, like Daniel Patrick Moynihan, the only man who should have been President since Harry S. Truman, Jeremiah Joyce will be treated to Trump-like bile and vituperations from Chicago's Neil Steinberg, Laura Washington, Mark Brown, Ron "'68" Grossman, Eric Zorn, Mary Schmich and the always laughable Rex Hupke.
People will buy what they are selling.


If voters want change, they can vote for a competent Chicagoan.


The remaining months before the mayoral election will be uglier than home made soup.



Sunday, August 26, 2018

John McCain - RIP to a VIP


This photo says it all about the late Senator John McCain, but nothing about the young Naval Aviator who endured the Hanoi Hilton. 

John McCain is an American hero, who laid  his youth, blood and soul on the altar of sacrifice. Nothing can change, or even diminish that fact.

I thought John McCain was on the level, but that was back in 2007-2008, when he seemed to earnestly want to pull America out of the cactus of Iraq and Afghanistan, as well as renew the American Spirit.   I was wrong.

John McCain wanted to be President, but he wanted to be fawned over by the corrupt American news media more. 

John McCain would rather be the THE MAVERICK, than President. 

He got that.  

John McCain was tortured horribly by the Communists.

America has been gulled by the Communists on Senator John McCain's watch. 

I lost any illusion about John McCain the elected official in September 2008, when the tanked economy and the Wall Street crisis compelled the laughably unprepared candidate to hand the election over to equally incurious Barack Obama. 

For eight years, McCain twisted like a pretzel for media attention and was rewarded with the election Donald Trump.

I honor Naval Aviator John McCain.

I am saddened by the fatuous, but wealthy late senior Senator from Arizona.

Both personalities will meet God.  

I wonder which one will pass muster. 

Tuesday, July 17, 2018

Trump Really Has Me Upset? Not Really.

The Helsinki Stinky, President #45, Donald J. Trump has really  upset all and sundry. His remarks that say that he trusts Vlad the Bad more than Jim Clapper and Mullah Brennan have gotten the Old Maverick John McCain back in front of cable camera men and made Butch Maddow grind her gender specfic incisors.

Als de hemel valt, krijgen we allemaal een blauwe pet
(Translation: If the sky/heaven should fall, we will all be wearing blue caps

Me?

I am not a Huuuuuuuuuuuuuuuuuuuuuuuuugggggge Trump Fan, for ever, BUT  doing just fine. Thanks so much. I mean it's not like Trump sold guns to a Drug Cartel, or deliver $I.4 Billion cash on air-lifted cargo pallets to Iran.

Update, post Helsinki:
  • My teeth did not fall out 
  • I Have not had the Miseries, the Twizzles, or the Vapors
  • My oatmeal went down without a problem 
  • I do not require fundoplication surgery . . . today
  • Tinea pedis is not a problem
  • My night terrors have turned into 25 Cartoons
  • Feel like having me some Clancy's Pub Pot Roast Rolls
  • I found a Double Sawbuck in my dryer
  • The Boss said I was doing swell work
  • The Dutch Club Borrel is August 16th
  • Chicago Special Olympics received a donation of $ 100,000
  • Lawman  is back on the Western Channel
  • David Muir is having no problem with cue cards
  • The Zebra Sisters has disappeared
  • McNally's and St. Cajetan's are doing great
  • Cardinal Cupich has one swell pallium
  • My car is almost ready to pass the Illinois Emissions Test!
Helsinki?

Must be some serious, low-down, Trumpolicious bullshot dgoing down!

Oooooo Bing Cherries  $1.99 a pound at Mariano's!!!!!!!!!!!!!!!!!!!!!!!!

Sunday, April 01, 2018

Jesus Rolled Back the Stone, but Anti-Semitism Reels Freely


Image result for Jesus the Risen Jew

He is Risen!

My saviour rolled back a huge rock that denied God's promise to all men - "I am the Lord thy God, who brought thee out of the land of Egypt, out of the house of bondage" (Exodus 20.2).

The specific people He bonded with are Semites - Jews.  His covenant was fulfilled from the House and and Family of David, the Root of Jesse, the Seed of Abraham. We Christians believe that, but forget that and we tolerate and often parse the Jew hatred of Muslims, atheists and others.  Jews are targets 2018 years after Jesus rolled back that stone.

PARIS—On April 4 of last year, a 67-year-old Jewish woman in Paris named Sarah Halimi was beaten to death and thrown off the balcony of her third-story apartment in a public housing complex by a neighbor who shouted “Allahu Akbar.” It took 10 months and a public outcry that began with France’s Jewish community, the largest in Europe, before prosecutors officially called the attack an anti-Semitic hate crime. Last Friday, Mireille Knoll, an 85-year-old Holocaust survivor, was stabbed 11 times and set alight by a neighbor and a homeless man. This time, authorities immediately, perhaps even prematurely, called it an anti-Semitic attack. Gérard Collomb, France’s interior minister, said this week that before killing Knoll, one of the two men arrested for the murder had told the other, “She is a Jew, she must have money.”

2018 years after Jesus triumphed over death, sin and despair,  a huge hunk of the earth's population want Jews dead.    In Paris and Berlin the issue of how to get a grip on the thuggish, intellectually and politically sophisticated, right wing and left-wing interpretations of Jew Hate fill pages of the world's newspapers.  The German police call 90% of the attacks on Jews 'right-wing' crimes, even though evidence points to Arab and Turkish immigrants doing the attacks.

Less vicious in America?  Not the rhetoric.

Our spineless, American media makes mild mention of the repulsively racist rhetoric of Louis Farrakhan without drawing a gurgle of outrage from Pussy Hat wearing, marching members of the pan-Resistance, or the gun-hugging Roseanne viewing Deplorables.  The media will not hound Farrakhan, because he gave Obama his first boost and a ground campaign from Fruit of Islam in 2000 against Bobby Rush.  Obama didn't forget and posed happily America's number One Jew Hater in 2005, when Dan Hynes handed the US Senate seat to him.

Obama also was knotted around the political rhetorical genius of Rev. Jeremiah Wright, “Them Jews ain’t going to let him talk to me. I told my baby daughter that he’ll talk to me in five years when he’s a lame duck or in eight years when he’s out of office. They will not let him talk to somebody who calls a spade what it is. I said that from the beginning. He’s a politician; I’m a pastor. He’s got to do what politicians do.”

I have heard these nuggets from Americans (white, black, Hispanic, educated) people
  • Jews own the news
  • Israel is not the 51st State
  • Free Gaza from Homophobes
  • They bring it on themselves
  • Jews began racism
  • What's the Holocaust?  A Good Start
These same people wept at Schindler's List and cite The Diary of Anne Frank as their favorite book from high school.

My people, the Irish, especially the younger Irish, now seem to exceed the British in their Anti-Zionist Jew-baiting.  The Norman Conquest is over - the Irish are now fully British, thanks to OxFam Marxists and the BBC's ugly step-child RTE. 


Due to a virtual broadcasting monopoly, the way in which RTE treats contentious issues of major social concern, such as terrorism, migrant waves, the resurgence of European anti-Semitism, etc., arguably has a greater impact on the thinking of the Irish Nation than equivalent broadcasting institutions in other countries, such as the United Kingdom’s BBC, that compete with a strong private sector.
RTE’s audience reach extends beyond the Irish Republic, with media saturation in Northern Ireland, and its radio and television channels are viewed quite widely abroad, particularly in the UK mainland.

Just before all of the St. Paddy's Wearing of the green the Irish Seanad (Senate)  passed the most vicious anti-Semitic legislation in Ireland's history.

The Irish and Jewish people share a common history of both suffering cruel persecution, and achieving national redemption against immeasurable odds. But today, modern Ireland is one of Europe’s fiercest critics of Israel. This tension was on display last week as the Irish Senate was considering legislation aimed at criminalizing trade with Israeli settlements.
The legislation, titled “Control of Economic Activity (Occupied Territories) Bill 2018,” would “prohibit the import and sale of goods, services and natural resources originating in illegal settlements in occupied territories,” according to Senator Frances Black, the bill’s sponsor.
While the vote on the legislation was eventually postponed, many in Israel saw it as another example of the growing effort in Europe to single out and boycott the Jewish state.
President Trump told Irish that if they boycott Israel, America boycotts them and he is the deplorable one.  Hell, I didn't like Trump, until he became President.
Image result for Jesus Loves JewsAnti
Jesus rolled back the stone and went to Galilee, where he ended His days on earth with a bunch of Jews.

Jesus wept.