Showing posts with label Real Jazz. Show all posts
Showing posts with label Real Jazz. Show all posts

Friday, August 28, 2009

Jazz Singer Terry Sullivan Swings with Strings at Gallery Cabaret -Monday August 31st 8 P.M.



Ms. Terry Sullivan is a writer ( Cultural & Arts Editor for Chicago Daily Observer, choral director of St. Cecelia Chorus of St. John Cantius Catholic Church, and a seasoned Jazz singer, who Chicago nightlife pioneer and jazz enthusiast Mr. Nick Novich ( Nick's Place & etc.) likened to ' the sweet voice of Blossom Dearie.'

Terry Sullivan Quartet will grace the stage of Gallery Cabaret in Bucktown on June 29th from 8-10:30PM. Get a start on your Summer with the vocal stylings of Ms. Terry Sullivan and Great American Song Book!

Terry will break out the Jazz accompanied by guitar, bass and drum. The Show begins at 8 p.m. at Gallery Cabaret!

Gallery Cabaret
2020 N Oakley Ave
Chicago, IL 60647-4153
(773) 489-5471


The Gallery Cabaret has been operating in Chicago's Bucktown neighborhood since 1990. According to owner, Ken Strandberg, the Gallery Cabaret harkens back to a time when "you could walk into a joint, buy a drink, and enjoy live entertainment like comedy or music just for being there and being a patron." The Gallery has offered free entertainment 7 nites per week since it opened. Over time, many up and comers have graced the stage, like The Smashing Pumpkins, Urge Overkill, Material Issue and Liz Phair (while they were still up and comers!). The Gallery has also hosted numerous comedy acts and poetry readings and slams. Every month, local artists have their work on display at the Gallery. Currently, we also offer cable TV including your favorite sports, until prior to showtime, and early bird drink specials from 5:00 pm until 9:00 pm. We also have Darts and Golden Tee Golf. Can't wait for music to start? We have TouchTunes internet jukebox with access to 1000's of songs.

Wednesday, May 13, 2009

Jazz Genius Andrew Distel and Guitarist Daniel Bruce at Viands Saturday Night!


Think Mel Torme! Think Chet Baker! Go See and Hear Andrew Distel!

Hello Jazz Lovers,
I'll be playing this weekend at Viand with a wonderful guitarist--Daniel Bruce. We'll be playing standards in a quaint room in the heart of downtown Chicago. Good food and a nice relaxed atmosphere too--Hope to see you out and about this weekend!
May 16th Saturday - The day After Friday - Date Night!

Viand Restaurant
155 E. Ontario (1 block east of Michigan Ave.)
6-9pm
no cover
(312)255-8505

Monday, May 04, 2009

Catch Amanda Crumley at The Drake's Coq d'Or!




This south side kolbold was transformed into a sensitive urban sophisticate by a young girl and a guitarist at the Cog d'Or in the Drake Hotel last night. Amanda Crumley and guitarist Kregor are two young artists with a powerful understanding of artistic intent - they actually honor the songwriter.

The Beautiful Woman, who allows me to carry her books, was delighted to see her date not play with the silverware, the candle wax, or trowel handfuls of the peppery snack assortments from the bowl into his chop hole and instead morph into a Brooks Brothers jacketed gent - all due to Amanda Crumley's and John Kregor's respect for lyrics and lines of notes formed by Brazilian genius Jobin, Cole Porter, or Crumley herself.

Amanda Crumley is a soprano. She can coax a note into the empyrean without drawing attention to herself as most singers seem to do - the Jennifer Hudson 'it's all about me' quality that has destroyed the National Anthem and most liturgical music as well as the Great American Songbook.

John Kregold takes a standard solid-body Parler guitar and delicately shapes chords and notes into a framework of musical gossamer for Crumley.

Get to the Drake's Coq d' Or on Sunday nights and catch these artists.

Amanda Crumley's manner and caressing voice could make a warehouse full of Trappist Monks give a second look at their vows.



Born in Los Angeles and raised in Albuquerque, New Mexico, Amanda grew up singing in school choirs, writing songs on piano from a young age, (forming a short-lived but prolific rock band in the 3rd grade), and doing anything musical she could get ears on. She was formally introduced to jazz when she first attended the University of Northern Colorado in Greeley, where she earned her bachelor’s degree in music education. While studying classical voice, she performed in the school’s top vocal jazz ensembles and was exposed to several master artists who came through town. Around the same time, she became captivated by Brazilian music, and has continued to cultivate her understanding of the music, the language, and immerse herself in the gorgeous sounds of the culture as much as possible. Before she finished college it became clear where her heart was and this beautiful, spontaneous element of improvisation that had always been part of her made her desire to pursue jazz a natural one.

Amanda moved to Chicago in 2003 upon receiving a scholarship to study jazz voice with Patricia Barber at the Chicago College of Performing Arts at Roosevelt University from where she now holds her Master’s degree. New to the Chicago jazz scene, she feels privileged to make music with some of the greatest musicians in the city. Having cultivated a unique repertoire of Brazilian music, jazz standards and original arrangements, Amanda can be seen at many fine venues in the Chicago area. She performs every first Friday of the month at Katerina’s in Chicago. Other venues Amanda has performed at include Pete Miller’s Steakhouse, Gigi’s Jazz and Supper Club, the Smoke Daddy, Uncommon Ground, Wise Fool’s Pub, the Heartland, and the Drake Hotel.


Click my post title and link to each of these songs by Amanda!

mp3s:

Vivo Sonhando (Jobim)
I Loves You, Porgy (Gershwin, piano arr. by Jarrett)
Retrato em branco et prieto/ Pictures in Black and White (Jobim, arr. AC)
I Didn't Mean to Turn You On (Harris/ Lewis; arr AC)


Sunday, May 10, 2009
The Coq d'Or @ the Drake Hotel w/ guitarist John Kregor
Chicago, IL 8:30 PM
140 E. Walton Ave.
18:30-12:30pm
no cover or minimum
http://www.thedrakehotel.com

Sunday, May 17, 2009
The Coq d'Or @ the Drake Hotel w/ guitarist John Kregor
Chicago, IL 8:30 PM
140 E. Walton Ave.
8:30pm-12:30am
no cover or minimum
http://www.thedrakehotel.com

Friday, May 22, 2009
Mandy & Bandit(s) @ Lizard's Liquid Lounge
Chicago, IL 6:00 PM
6-8pm
no cover + fantabulous drink specials
3058 W. Irving Park Rd.
http://www.lizardsliquidlounge.com

Monday, April 27, 2009

Duke Ellington -From the Sacred Concerts -Heaven


Duke Ellington's Sacred Concerts -there were three. This is Heaven from one of them!

Click my Post Title for the Video link.


The 1960s were, for Ellington, a period when he produced some of his finest recorded work (certainly on a par with the stuff from the late 1950s) most notably The Popular Duke Ellington (recorded a year after the first Sacred Concert album, with both albums produced by RCA's legendary A&R man, Brad McCuen) where he introduces a new audience to his most popular compositions, such as Take the 'A' Train (written by Billy Strayhorn of course), Mood Indigo, I Got It Bad, Solitude, Black and Tan Fantasy, and the almost evangelical Do Nothin' Till You Hear From Me, (written by Ellington in 1940 as Concerto for Cootie), a piece that has a lot in common with his beautiful melody Come Sunday (written for his extended work Black, Brown & Beige in 1943), which later became a corner stone of his first Sacred Concert. To me this suggest that just about everything Ellington (a devout Christian) wrote from the 1940s onwards was spiritually headed toward his series of Sacred Concerts. Sadly, Ellington's Sacred Concerts have come in for quite a bit of criticism over the years, most notably that they lack cohesive musical form, which is like saying Faure couldn't write a requiem. Nothing could be further from the truth.

When we listen to Duke Ellington's Concert of Sacred Music (recorded at the New York Fifth Avenue Presbyterian Church) we hear Ellington at his best, where he uses the whole Ellington bag of compositional signatures (including a hint of Delius here and there) centred around the individual voices of his musicians, creating the Ellington 'family' sound that takes us into his world and, by degrees, his Christianity that, like a simple, familiar hymn, can move us beyond the musical form and into a higher realm. Just listen to track 2, side 1, Tell Me It's The Truth, sung by Esther Marrow, followed by Come Sunday, to get the idea.

This is not just music, but worship.


http://www.zimbio.com/Steve+Newman's+Jazz+Groove/articles/24/Duke+Ellington+Sacred+Concerts
True, I caught the Dupage College Jazz Ensemble's presentation last night. Mind Blowing.


Programme Note
Digital perusal score available from SchirmerOnDemand
1. In the Beginning God
2. Will You Be There?
3. Ain’t But the One
4. Tell Me It’s the Truth
5. Heaven6. Something ’Bout Believing
7. Praise God
8. Father Forgive
9. The Lord’s Prayer
10. The Shepherd
11. David Danced
12. Almighty God
13. Come Sunday
14. My Love
15. Freedom
16. Meditation
17. Praise God and Dance
18. Praise God and Dance (encore)

Saturday, March 21, 2009

'Sleek and Tres Chic' Catch Andrew Distel and Guitarist Daniel Bruce at Viands


Catch Jazz as it was meant to be performed by Vocal genius and horn man Andrew Distel and guitarist Daniel Bruce- Tonight at Viand Chicago:

Saturday March 21
Viand Restaurant
155 E. Ontario
6-9pm
no cover
312.255.8505

Andrew Distel-vocals/trumpet
Daniel Bruce-guitar

www.viandchicago.com

Click my post title for Andrew singing 'The Rest of Your Life'