Chicago needs Jewish Heritage Day

I bought my first real three-piece suit from Al Koralchik at his tailor shop on O'Brien Court & Halsted with the dough I made from working at Gee Lumber ( Greek Family) on 79th Street. Al Koralchik was the brother-in-law of Izzy Kagan, a great Austin High School football star who served in the Marines with my Dad's buddy the legendary Leo Coach Jimmy Arnenberg on Guam. They all kept in contact after the War and Mr. Kagan eulogized Coach Arnenberg at his funeral Mass.

I worked for Si Blitztein at the Evergreen Plaza. Si subsidized more Catholic educations than Catholic Charities.

Jews like Morris B. Sachs* and the Blackman Family Jewelers - now in Orland and Tinley Parks - once served the Catholic population along 79th Street, supported the south side Irish Parade, sponsored Leo High School Letterman Club, Yearbook and offered scholarships to poor kids.

Jews were our neighbors and co-laborers in the Trades Unions.

My grade school and high school buddy Danny Levi ran the Irish Temple on 111th Street.

Catholics and Jews seem to carry the philanthropic load in Chicago - read the names on every civic and cultural board of directors.

Today, Ms. Naomi Stewart argues:

Chicago needs a Jewish day. We need a Jewish parade. Chicago has all kinds of ethnic parades and days, and Jews are a huge part of Chicago. We contribute to the economy, culture and education. We like to wave flags and be seen marching down the streets having fun, too.
We could have a ''Jewlicious Fest,'' as they have in New York and San Francisco. Many cities have fests for Jews, except Chicago. Chicago is a big city. The day should be May 14, in celebration of the creation of Israel. Let's call it ''Jewish Heritage Day.''

Unless they give us a parade and our own day, I will never feel welcome in this town. I never did, and now I realize why. I hope I'm not the first or only Jew to suggest this idea.

Chicago's first synagogue, Kehilath Anshe Mayriv (KAM), was founded at the corner of Lake and Wells in 1847 by a group of Jewish immigrants from the same general region of Germany. By 1852, about 20 Polish Jews had become discontented enough to break off from KAM, and founded Chicago's second congregation, Kehilath B'nai Sholom, a more Orthodox congregation than the older KAM. In 1861, the second major secession from KAM occurred, and, led by Rabbi Bernhard Felsenthal, this splinter group formed the Sinai Reform Congregation, meeting in a church near the corner of Monroe and LaSalle Streets.

In 1859 the United Hebrew Relief Association (UHRA) was established by some 15 Jewish organizations, which included a number of B'nai B'rith lodges as well as several Jewish women's organizations. After the fire of 1871, Jews moved out of the downtown area, mainly southward, settling eventually in the fashionable lakefront communities of Kenwood, Hyde Park, and South Shore. Wherever they settled they established needed institutions, including Michael Reese Hospital, the Drexel Home (for aged Jews), and the social and civic Standard Club.

That would be some celebration!

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One of the shows frequently asked about (when it wasn't a question on Bozo's Circus) was The Morris B. Sachs Amateur Hour. Sad to say, many ended the phone call dismayed that one of their favorite shows is just a memory today. Since the show was aired live, chances of any kinescope films popping up sometime are rare.

From an era where local talent shows were the norm, the Sachs program was considered the "daddy" of all amateur hours. The program had already been heard on WENR Radio for fifteen years when it came to WENR-TV in 1950. Master of Ceremonies was jovial and easy-going Bob Murphy, who joined the show in 1949 doing the radio version for one year and then taking on double-duty when the program debuted on channel 7. Murphy's job was to make sure the contestants, many who probably had never seen a television studio before, were comfortable. The show's announcer was Bob Cunningham. Music was provided by two Amateur Hour alums- Adele Scott and Al Diern.

Musicians, jugglers, acrobats, singers, comedians and more took the stage. Some hoping to "hit the big time," others for the thrill of being on television, and some came for the prizes.

And we are not talking cheap door prize junk. Winners on The Morris B. Sachs Amateur Hour went home with watches, jewelry, cash, and every thirteen weeks- a car if he or she won the semi-finals.

The Morris B. Sachs Amateur Hour was produced by Norm Heyne and aired on WENR and WENR-TV Sunday afternoons from 12:30 to 1:30.

Blago's Borscht Capades Channels Mickey Katz - Oy Vey!

"Men who eat salami come on and Join the Yiddish army,/ Fight! Fight! Fight for Palestine!/
If you like your bread and gravy Come and join the Jewish navy/ Fight fight fight for Palestine./
Come on you sons of bitches Put on those Purple britches/ Fight Fight for Palestine." Mickey Katz*


"I will fight, I will fight, till I take my very last breath. I have done nothing wrong.” - R. Blagojevich 12/19/2008

I heard Governor Sunshine sing his battle cry and thought that he was channeling the great Yiddish Parodist Mickey Katz! My late pal and boyhood chum, Danny Levi sang this song at a Little Flower Picnic. Danny's family was Jewish in a neighborhood surrounded by Goyisher Cossocks from Ireland.

Danny Levi bought a saloon ( photo above) on 111th Street that was mainstay of Little Flower, St. Sabina, St. Killian, Visitation, St. Tommy More, St. Ethelreda and St. Margaret of Scotland children of the Diaspora - The Irish Temple! Danny's logo was a Star of David encompassing a Shamrock. Danny knew more Clancy Brother and traditional Irish ballads than Terry McEldowney and he also knew the great Yiddish works of Klezmer artists and Borscht Belt singers like Mickey Katz.

Mickey Katz knocked the schmaltz out of faux sentiment when he was with Spike Jones and his City Slickers.

Governor (extant) Rod Blagojevich is taking another great leap over the political shark and using faux sentiment that works so well for elected officials caught in the act of grabbing a baby's Laffy Taffy or knocking another man's wing-tips from under a John Stall:

In his first statement since he was arrested on federal charges of conspiracy and soliciting bribes, Mr. Blagojevich was alternately emotional and combative, his voice breaking as he told reporters that he would be vindicated, and asked Illinois residents to withhold their judgment.

“I intend to stay on the job and I will fight this thing every step of the way,” he said in an appearance at the James R. Thompson Center in downtown Chicago. “I will fight, I will fight, I will fight, till I take my very last breath. I have done nothing wrong.”

Blago lawyered up with the Illinois Criminal Law A Team; Fitzy must play Beat the Clock with an indictment; President Elect Obama ain't saying nothing; Rahmbo's loins are on the Weber; the Illinois Legislature is posturing; the Media is as genuinely curious about 'the Truth' as a sixteen year old boy is about Quantum Mechanics - Mickey Katz! America needs You!


CLICK my Post Title for Mickey Katz's rendition of Davy Crockett!


http://www.nytimes.com/2008/12/20/us/20illinois.html?bl&ex=1229922000&en=4151becfb65bac73&ei=5087%0A

*

Mickey Katz (June 15, 1909 Born: Cleveland, Ohio - April 30, 1985) was a U.S. Jewish comedian and musician who received his first moments of fame in the 1940s as a member of Spike Jones and His City Slickers where he was most famous for his "glugging" vocal sound effects on tunes like "Cocktails for Two" and others. He later went on to perform his own parodic musical review and record highly popular "ethnic" comedy albums on the Capitol label where he would perform English-Yiddish parody songs. He was also recognized as a master of what would later be called Klezmer style clarinet and had several hits during his long career. Though Katz sang primarily in broken Yiddish, he is often as recognized as one of the godfathers of American song parody which would later be advanced by the likes of Allan Sherman and, in the 1980s, Weird Al Yankovic.

Katz and his group can be seen in the movie Thoroughly Modern Millie accompanying Julie Andrews as she sings a Yiddish song at a Jewish wedding.

Katz is the father of Broadway legend Joel Grey and a grandfather of the actress Jennifer Grey. In the early 1980s he told the story of his life in a biography called Papa Play for Me.

A number of famous Jewish musicians, including those with their own bands have recorded with him including Manny Klein, Ziggy Elman and Si Zentner.

Jazz musician Don Byron recorded a tribute to Mickey Katz in 1993 entitled Don Byron Plays The Music of Mickey Katz.

The 2003 British movie Wondrous Oblivion featured Katz' "The Barber of Schlemiel" (a parody of The Barber of Seville in a scene where the Jewish main character played the record for his Jamaican neighbor. No soundtrack has been released for the film as yet.